Showing posts with label 60'S. Show all posts
Showing posts with label 60'S. Show all posts
Monday, September 2, 2013
Tuesday, July 9, 2013
John F Kennedy Outdoor Speech in 1960, for President
Wednesday, June 19, 2013
Jonathan Winters on Dean Martin Roasts Frank Sinatra
[youtube http://www.youtube.com/watch?v=XynxTU8ovZ8]
We're bringing you in to our blog, this entertaining blog about Jonathan coming on to Frank Sinatra. As you might not know, Jonathan Winters doesn't have a script, in fact he never did he didn't like the writers they were never funny enough for him so he always went up there and winged it. This is an example of that, he went up there and had them in hysterics and you will too. Enjoy the video and have a good week.
-From Bill Gardner's Assistant
We're bringing you in to our blog, this entertaining blog about Jonathan coming on to Frank Sinatra. As you might not know, Jonathan Winters doesn't have a script, in fact he never did he didn't like the writers they were never funny enough for him so he always went up there and winged it. This is an example of that, he went up there and had them in hysterics and you will too. Enjoy the video and have a good week.
-From Bill Gardner's Assistant
Make sure to check out Confessions of a Hollywood agent, a book about Hollywood during the 50s and 60s. Look into it especially if you're into old Hollywood.
Tuesday, May 21, 2013
Jonathan Winters "The Stick"
Here we have your monthly dose of Jonathan Winters. In today's post, Jonathan Winters improvises using nothing more than a "stick."
Join us next month for yet another episode of Jonathan Winters' performance.
In the 50′s and 60′s I worked for Jonathan Winters as his assistant, and I want to present to all of you wonderful people to Jonathan Winters, so you can know how funny he was. He was considered one of the best comedians, had his own style and had his know how on how to bring the funniest parts of life. I am sure none of you will be disappointed so lets sit back and have a great laugh. Jonathan thanks for all the laugh you brought to us.
-William Gardner
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Wednesday, April 10, 2013
What is a good old Hollywood novel during the 50's & 60's?
“Find out, or guess, who the characters are. You’ll be surprised!”
With characters such as Elvis Presley, jfk, Mafia’s Meyer Lansky gangster, Fidel Castro, Porfirio Rubirosa, Nathan the Hollywood God-father, Godchild of Hitler and so many more!
A Hollywood Novel you won’t wan’t to miss.
"Only an industry insider could write a story filled with such nuance about the glam and grim of Hollywood in the 1950’s and 60’s. William Gardner takes you on a (manicured and bejeweled) hand-held tour of Beverly Hills and its crusty and upper-crust inhabitants."
- Ellen Singer
"Well I sure hope that most of Mr. Gardners clients are dead or else he would be in real trouble. The seances and conversations in this fast paced book are so real and candid that one would think he was in the room! But WAIT he was in the room. ! This is the real McCoy, you don’t need to read any other Hollywood tell all book. This one tells it ALL ! It is fun and stunning about all your favorite stars. I couldn’t put it down, Don’t miss this one, you will astound your friends with hard and funny truths here"
-Sam Carson
Confessions of a Hollywood Agent is a novel of a Hollywood courtesan and her procurer, who rise in the film world of the 50′s and early 60′s. Clint the agent and Dorothy the Star manipulate the Hollywood Godfather, Fidel Castro, JFK, an international playboy who was the godchild of Hitler… and one another. But the plot and intrigues they devise to further their careers don’t always turn out as planned. Only an industry insider could write a story filled with such nuance about the glam and grim of Hollywood in the 50s and 60s. There is plenty of sinning in Confessions, but is there redemption? You’ll stay awake to find out. Don’t rush forward to the closing credits. They come much too soon.
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Tuesday, April 2, 2013
Review for Confessions of a Hollywood Agent; A Hollywood novel
Only an industry insider could write a story filled with such nuance about the glam and grim of Hollywood in the 1950’s and 60’s. William Gardner takes you on a (manicured and bejeweled) hand-held tour of Beverly Hills and its crusty and upper-crust inhabitants.
You’ll be privy to the name-dropping and bed-hopping among a large cast of loveable and loathsome characters, including a minister’s daughter who poses for Playboy but tithes ten percent of her earnings to the church and an internationally famous comedian who wastes his money on gambling and drugs.
And enjoy the odd, but enduring alliance between the story’s leading man and lady: Clint Nation, a Montana cowboy, and Dorothy Winters, a small-time thief, who will re-invent themselves and traverse the Hollywood Hills together as agent and movie star, occasional lovers and loyal friends.
There’s plenty of sinning in “Confessions”, but is there redemption? You’ll stay awake trying to find out. But don’t rush – or fast forward – to the closing credits. They come much too soon.
Source
Listed on: <a href="http://www.dmegs.com">link directory</a>
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Tuesday, March 5, 2013
Rita Hayworth Is Stayin' Alive
[youtube http://www.youtube.com/watch?v=mz3CPzdCDws]
Rita Hayworth Is Stayin' Alive
One of Hollywood's greatest red-headed dancers with Fred Astaire and Gene Kelly dancing to the Bee Gees, which brings nostalgia
Rita Hayworth Is Stayin' Alive
One of Hollywood's greatest red-headed dancers with Fred Astaire and Gene Kelly dancing to the Bee Gees, which brings nostalgia
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Wednesday, February 20, 2013
Jane Russell & Marilyn Monroe at Grauman's Chinese Theatre
Thursday, February 14, 2013
Review for Confessions of a Hollywood Agent
Well I sure hope that most of Mr. Gardner's clients are dead or else he would be in real trouble. The seances and conversations in this fast paced book are so real and candid that one would think he was in the room! But WAIT he was in the room. ! This is the real McCoy, you don't need to read any other Hollywood tell all book. This one tells it ALL ! It is fun and stunning about all your favorite stars. I couldn't put it down, Don't miss this one, you will astound your friends with hard and funny truths here,
[caption id="attachment_265" align="alignright" width="400"]
Source: http://www.shutterstock.com/pic-67747954/stock-vector-people-with-gun-silhouettes.html[/caption]
-Sam Carson F A I A
[caption id="attachment_265" align="alignright" width="400"]
-Sam Carson F A I A
Sunday, February 10, 2013
A Day With Mickey and Judy
Judy called Mickey and asked him if he would help her. She has a TV show at CBS and the bosses wanted to see her. Her ratings where slipping and they wanted to meet at her home later in the day. She knew Mickey would help with some ideas. He was filming at MGM that day but she knew going to the studio would be a big problem. She hadn’t been there in eighteen years since they fired her. She blamed MGM for all her problems.
Mickey told me to pick her up at her home inBrentwood. Judy was panicking when I got there. She had five cars and told me to put a case of Blue Nun wine in the back seat. It turned out I never got any of her cars to start. We left in my car with the Blue Nun in my back seat. As we drove out of the driveway, she popped a pill. When we got to MGM I drove through the studio gates, she popped another pill. I felt like it was Gloria Swanson arriving at the gates ofParamountin “Sunset Boulevard”.
She said, ”Mickey and I worked every day on three musicals at the same time for the “Andy Hardy Films” it was making MGM a fortune and exhausting us. They gave us uppers and downers to keep up our energy for the dance numbers and long hours. We didn’t know we were being hooked”. Later in life, they both were under the influence. Mickey found Jesus and got the cure but Judy never got over the drugs or booze.
Mickey told me he was working at hotel in Reno, Nevada, sitting in a coffee shop when a blonde bus boy came up to his table and said; “Jesus loves you Mickey Rooney”. He was shocked and felt he had been saved. He jumped up from the table, rushed to the cashier, and said; “Where’s that blonde bus boy that was at my table?” “We don’t have a blonde bus boy, Mr. Rooney”.
Judy adored Mickey and he her, but there was no romance. Mickey had many girls he dated but he felt Judy was like a sister. We stopped at stage 15 where Mickey was filming. I took the case of Blue Nun from the back of my car and we went to his dressing room. Judy opened a bottle of wine and settled down and said; “Find Mickey”. I went on to the stage; Mickey was working on a RodSterling, “ Twilight Zone” show playing a gambler who owned money to a bookie who threatens him. Mickey was acting into the telephone the whole time, no other performer was in the show. He finishes the scene, and the crew applauds him. “Judy is here, we’ll meet you in the commissary for lunch”. I said.
I went back to the dressing room. Judy had found a French actor, with a French Poodle and was kissing and hugging the dog and drinking the wine. She was already high. I told the actor we had to leave for an appointment; to get rid him.
When we got to the commissary, it was packed with people, Judy was shaking. I opened the door and we walked in. The room went silent and then, whispers. We see Arthur Freed, the producer of “Meet me InSaint Louis,” of her best movies. “Look, its Arthur Freed, he’s not coming over here? Ah, he is. I, I, can’t stand him. What will I do?” she asked. “Relax. He’s smiling. Smile back. He just wants to say hello.” I said. Arthur says; “Judy, so good to see you, working on something again?” “Good to see you Arthur. No I’m seeing Mickey for lunch.” Judy looks and sees Mickey at table waving at us. We go to his table. Judy began to relax and looked like she was having a good time. I brought up to Mickey. “Do you have some ideas for her show? Judy looked like she wasn’t interested so I gave up. We went back to the dressing room and Mickey had to go back to the stage to finish the TV film. I loaded Judy into my car, she was drunk. As we left the Studio she pooped another pill. She said; “I hated every moment. You cannot imagine how terrible I feel. It brought back all those bad memories. I should have never come back.”
When I got on the freeway going back to her house, she was silent and looked over at the car next to us where a cat was sitting on a man’s shoulder. She let out a scream and said, “That cat is driving that car”. She dived to the floorboard of the car and stayed there until I got her home. The cars of the CBS Bosses were there in her driveway waiting. I thought, are they in for it. I thought, I said, “Good bye and good luck, Sweetheart”. I was glad she didn’t ask me to be in her meeting and drove off.
Thursday, January 24, 2013
Gloria Pall deemed too sexy for TV
[caption id="attachment_256" align="alignright" width="300"]
Gloria Pall one of my friends from the 50's whom i helped with her career. It was wonderful to see her picture on the paper, on January 6th 2013. It brought back those wonderful memories from the 50's. I just wanted to show all the people that could remember, and everything that was said was true, her career was moving rapidly and she had loads of fans that had never seen that exposure before.
Source: The LA Times[/caption]
On a December night in 1954, Los Angeles met the woman it would soon deem too hot for television.
After the success of Vampira, the glamorous ghoul of 1950s late-night TV, executives at KABC-TV (Channel 7) cast Gloria Pall, a showgirl and model, as Voluptua, the sultry hostess of a new, love-themed movie program.
Fans dubbed the statuesque Pall "Eyeful Tower" and "Miss Cleavage" for her shapely figure and plunging necklines. Her steamy on-camera poses and flirtatious comments soon earned her another moniker: "Corruptua."
Just seven weeks after it first aired, amid mounting pressure from religious and PTA groups and lackluster commercial sponsorship, the station abruptly canceled the show.
Pall, who went on to become a Los Angeles real estate agent, died Dec. 30 of heart failure at a Burbank hospital, her son, Jefferson Kane, said. She was 85.
R.H. Greene, a Los Angeles author and documentary filmmaker who put together a 2011 radio feature on Voluptua for KPCC-FM (89.3), called Pall a television pioneer.
"She was quite openly in touch with her sexuality, and that was an incredibly dangerous thing to do," Greene said in an interview Friday. "We don't have too many stories for that time that illustrate that, and Gloria's does."
Each Wednesday night, as the show's romantic theme song played, Pall slinked across Southland TV screens wearing an evening gown and dragging a fur coat.
Before she introduced the week's romantic flick, she greeted viewers with a breathy coo: "Welcome to my boudoir, I want you to feel that it's your special hideaway. Relax, take off your shoes, loosen your tie."
She caressed a bearskin rug, made silhouetted on-camera costume changes behind a translucent screen and answered a phone that didn't ring. Instead, it sighed her name: "Voluptua…Voluptua."
"You put that on television and people went crazy," Greene said. "They were simultaneously titillated and appalled. Gloria was way too hot to handle."
In a posting on her website, Pall described the over-the-top character she created as "just suggestive — corny not porny."
The show's risque theme and the protests it drew attracted national media attention. In 1955, Pall was featured in photo spreads in Playboy and Life.
Born Gloria Pallatz on July 15, 1927, in Brooklyn, New York, Pall grew up in poverty, her son said. As a teenager, she worked as an aircraft mechanic and as a filing clerk for the United Service Organization. She said later that she was working at the organization's office on the 56th floor of the Empire State Building on July 28, 1945, when an Army B-25 bomber crashed into the building.
"It threw me across the room, and I landed against the wall," Pall told National Public Radio in 2008. "We didn't know if it was a bomb or what happened. It was terrifying."
In 1947, she won the Miss Flatbush beauty contest in her hometown and then worked as a model.
After stints as a showgirl in Reno and Las Vegas, she moved to Hollywood, where she landed small but memorable roles.
In an iconic image from the 1957 film "Jailhouse Rock," Pall's legs frame Elvis Presley's face at a burlesque show; she clutches Kirk Douglas' arm in a scene from 1954's "20,000 Leagues Under the Sea"; and in "Crimson Kimono," a classic 1959 film noir, Pall played a stripper named Sugar Torch, who gets shot in the opening scene.
In her 30s, her film roles growing scarce, Pall started studying for a real estate license.
"I decided that I ought to do something with my life besides going to parties and doing occasional modeling work," she told The Times in 1962, adding, "I've finally got my name in lights on the Strip."
Indeed, the sign outside her lavender-hued real estate office on Sunset read simply: "Call Pall."
In 1965, Pall married Allen Kane, who owned a Ford dealership in North Hollywood. The couple, who later divorced, moved with their young son to Florida and Atlanta before returning to California in the late 1970s.
Pall, who drove a lavender 1957 Ford Thunderbird and dressed mainly in shades of purple, later wrote and self-published several books about her life.
"She just knew so much about the '50s," her son said. "Those were her glory days."
A memorial is planned for 3 p.m. Jan. 20 at Calvary Baptist Church in Burbank, 724 S. Glenoaks Blvd.
Asked toward the end of her life what she would say to those who campaigned to get Voluptua off the air, Pall laughed and offered three words: "Get a life."
Source: The LA Times[/caption]
On a December night in 1954, Los Angeles met the woman it would soon deem too hot for television.
After the success of Vampira, the glamorous ghoul of 1950s late-night TV, executives at KABC-TV (Channel 7) cast Gloria Pall, a showgirl and model, as Voluptua, the sultry hostess of a new, love-themed movie program.
Fans dubbed the statuesque Pall "Eyeful Tower" and "Miss Cleavage" for her shapely figure and plunging necklines. Her steamy on-camera poses and flirtatious comments soon earned her another moniker: "Corruptua."
Just seven weeks after it first aired, amid mounting pressure from religious and PTA groups and lackluster commercial sponsorship, the station abruptly canceled the show.
Pall, who went on to become a Los Angeles real estate agent, died Dec. 30 of heart failure at a Burbank hospital, her son, Jefferson Kane, said. She was 85.
R.H. Greene, a Los Angeles author and documentary filmmaker who put together a 2011 radio feature on Voluptua for KPCC-FM (89.3), called Pall a television pioneer.
"She was quite openly in touch with her sexuality, and that was an incredibly dangerous thing to do," Greene said in an interview Friday. "We don't have too many stories for that time that illustrate that, and Gloria's does."
Each Wednesday night, as the show's romantic theme song played, Pall slinked across Southland TV screens wearing an evening gown and dragging a fur coat.
Before she introduced the week's romantic flick, she greeted viewers with a breathy coo: "Welcome to my boudoir, I want you to feel that it's your special hideaway. Relax, take off your shoes, loosen your tie."
She caressed a bearskin rug, made silhouetted on-camera costume changes behind a translucent screen and answered a phone that didn't ring. Instead, it sighed her name: "Voluptua…Voluptua."
"You put that on television and people went crazy," Greene said. "They were simultaneously titillated and appalled. Gloria was way too hot to handle."
In a posting on her website, Pall described the over-the-top character she created as "just suggestive — corny not porny."
The show's risque theme and the protests it drew attracted national media attention. In 1955, Pall was featured in photo spreads in Playboy and Life.
Born Gloria Pallatz on July 15, 1927, in Brooklyn, New York, Pall grew up in poverty, her son said. As a teenager, she worked as an aircraft mechanic and as a filing clerk for the United Service Organization. She said later that she was working at the organization's office on the 56th floor of the Empire State Building on July 28, 1945, when an Army B-25 bomber crashed into the building.
"It threw me across the room, and I landed against the wall," Pall told National Public Radio in 2008. "We didn't know if it was a bomb or what happened. It was terrifying."
In 1947, she won the Miss Flatbush beauty contest in her hometown and then worked as a model.
After stints as a showgirl in Reno and Las Vegas, she moved to Hollywood, where she landed small but memorable roles.
In an iconic image from the 1957 film "Jailhouse Rock," Pall's legs frame Elvis Presley's face at a burlesque show; she clutches Kirk Douglas' arm in a scene from 1954's "20,000 Leagues Under the Sea"; and in "Crimson Kimono," a classic 1959 film noir, Pall played a stripper named Sugar Torch, who gets shot in the opening scene.
In her 30s, her film roles growing scarce, Pall started studying for a real estate license.
"I decided that I ought to do something with my life besides going to parties and doing occasional modeling work," she told The Times in 1962, adding, "I've finally got my name in lights on the Strip."
Indeed, the sign outside her lavender-hued real estate office on Sunset read simply: "Call Pall."
In 1965, Pall married Allen Kane, who owned a Ford dealership in North Hollywood. The couple, who later divorced, moved with their young son to Florida and Atlanta before returning to California in the late 1970s.
Pall, who drove a lavender 1957 Ford Thunderbird and dressed mainly in shades of purple, later wrote and self-published several books about her life.
"She just knew so much about the '50s," her son said. "Those were her glory days."
A memorial is planned for 3 p.m. Jan. 20 at Calvary Baptist Church in Burbank, 724 S. Glenoaks Blvd.
Asked toward the end of her life what she would say to those who campaigned to get Voluptua off the air, Pall laughed and offered three words: "Get a life."
Thursday, January 10, 2013
Hollywood Novel
"Find out, or guess, who the characters are. You'll be surprised!"
With characters such as Elvis Presley, jfk, Mafia's Meyer Lansky gangster, Fidel Castro, Porfirio Rubirosa, Nathan the Hollywood God-father, Godchild of Hitler and so many more!
A Hollywood Novel you won't wan't to miss
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Tuesday, November 6, 2012
Chapter 10 From My Novel "Confessions of a Hollywood Agent"
Chapter Ten
Clint's bright red 140 Jaguar roadster swung into Thorton North’s curved driveway and parked under an expansive portico. As he buzzed the front door, a bright light flashed on and a tiny television camera focused on him.
A cheery black maid opened the door.
“Hello, Mister Clint. Mr. North is in his office.”
“Thanks Maisie. Is Marge home?”
“No, she’s out shopping”. Maisie left for the kitchen.
Clint went behind the bar and fixed himself vodka. He peered out to the expansive view of Los Angeles and Beverly Hills below as Thorton entered and sat at a tool at the bar.
“Hello, Thorton, what will you have?”
“Fix me a double.” Clint thought Thorton looked sober so he fixed him a weak scotch. He watched Thorton pick up the drink and gulp it down.
“What kind of calf piss is this?” asked Thorton as he pushed the glass back for more.
“Thorton, are you racing in Havana?”
“Yes, we’re getting the Ferrari ready. I’ve been on the phone with Havana. I got a couple of suites at The Nacional. We can watch the race from our balcony. Don’t have to go near the damn track”.
“I’m going too. My client, Marty Fallon, has a club date at Meyer Lansky’s Riviera, and Fangio’s racing. That I gotta see”.
“Make me another double.” Thorton pushed his empty glass toward Clint. “A little girl Jimmy introduced me to has been calling. I told her to come up.”
“Do you think that’s wise with Marge here?”
“Hell, she’ll never know.”
“I wouldn’t be so sure about Marge”
They heard the door latch open and Marshall, Thorton’s business manager, walked in. His open shirt revealed lots of gold around his neck; a chunky gold watch hung from his wrist and a heavy linked gold bracelet on the other.
Gifts from Marge, thought Clint.
“Marshall, I’m glad you’re here. Thorton is about to call one of his whores. Talk him out of it. You can’t fool Marge.”
“Clint’s right. Wait till we get to Cuba. I’ll get you all the whores you want down there,” said Marshall.
“Hell, I woke up this morning with this big throbbing hard on. It won’t go away. I even put on the air-conditioner,” said Thorton as he got up and left the room.
“We’re in for it,” said Clint.
“I’m leaving,” said Marshall.
“No, you’re not. It could be fun,” said Clint.
When the doorbell rang, Clint yelled out, “I’ll get it, Maisie. It’s for me.” Clint made his way to the front door. He checked the monitor and saw a young girl and let her in.
“Hi, I’m Shirley,” said the blonde as she extended her hand. She was sexy, about twenty with big breasts and a cinched small waist. She wore a black and white large polka dot dress, open in the front. A young Mae West, thought Clint. “I’m Clint,” he said. Thorton is in his room. Follow me.”
He opened the door to Thorton’s bedroom. Thorton sat on the large bed in a pair of long boxer shorts looking like he had just gotten out of a concentration camp. His stick legs were crossed as he peered into a glass of scotch. Clint knew the white plastic dish placed by his feet was used for spit and vomit.
“Hello Mr. North,” the girl said. “I’m Shirley, remember?”
“Why sure, honey. Sit down next to me. I want to tell you a story.” he said. Shirley sat down.
“Thorton, why don’t you and Shirley go to the office? S0MEBODY will be here soon. Have you forgotten?”
“Now that’s a pregnant thought. Why didn’t I think of it?” said Thorton as he pushed himself to his feet while Shirley steadied him.
Clint called into the bar. “Marshall, go to the kitchen and keep Maisie busy. I don’t want her to see Shirley.” Marshall went off to the kitchen.
“Thorton, you lead the way,” said Clint.
“Clint, you’re such a good friend,” he said as he moved slowly toward the rear of the house.
Shirley stayed back and pulled Clint aside. “Is he okay? He’s a
no-go to me.”
“You’re in for a big surprise,” said Clint.
“What’s that mean?” she asked.
“You be the judge.”
Shirley was puzzled and caught up with Thorton and followed him into the office.
“Honey”, said Thorton. “Did I tell you, you’re the best looking piece of poontang I ever did see?”
Shirley closed the door behind them.
Clint went back to the bar and poured himself a big drink. Marshall came in from the kitchen.
“The last hooker he had here he wouldn’t pay. So she cleaned the steaks out of the deep freeze before she left,” said Marshall.
“You mean he does this all the time?”
“Yeah, but never with Marge in the house.”
The sound of a latchkey in the front door was heard followed by Marge’s entrance. She was dressed in a light green silk Pucci top with bright fuchsia slacks. Her white blonde hair was done up in a smart do. “Why Clint, I didn’t know you’d be here. Will you stay for dinner? I picked up some divine lobsters at Jurgensen’s. Where’s Thorton?” she asked, as she glanced into the living room for him.
“He’s around, isn’t he, Marshall?” asked Clint uncomfortably.
“Look!” She put her hand forward to show off a large diamond ring. “Thorton bought me this for my birthday. The girls at Saks just died when they saw it.”
“I don’t blame them, its a queen’s ransom,” said Clint.
“I wanted to go on this cruise to New Zealand, but Thorton thought it was too expensive; I’m sure this ring cost a lot more. Anyway, we’re going to Havana, have you heard?”
“I’m going too,” said Clint.
“How divine! We’ll have so much fun. Fix me a drink. I’ll tell
Maisie you’ll be staying for dinner,” said Marge as she left the bar and went into Thorton’s room on her way to the kitchen.
Clint poured himself another strong drink.
A few minutes later Marge was back. She picked up her drink. She stared at Clint and then Marshall suspiciously.
“I went by the office. The door is locked. I smell whore!”
Clint and Marshall exchanged looks.
“I’ve got to go.” Marshall said getting up to leave.
“You’re staying right here,” said Marge. “Thorton has a whore here, doesn’t he?”
Clint and Marshall said nothing.
“I knew it. That dirty old man has brought a whore into my house. That horrible creature.” She moved fast and left the room for the office.
Clint and Marshall could hear her pounding on the door with
her fists.
Clint worried she might hurt herself or have a heart attack.
“I know you’re in there you dirty old man,” she yelled. “Let me tell you. You’re going to stay there. I’m going to sit in front of this door. I don’t care how long it takes. I’ll stay here all night if I have to. There’s no bathroom in there and no windows. You’re going to start stinking soon. How’s that going to go over with your whore, you old bastard?” Marge came away from the door exhausted. She went to the terrace and picked up a chair and brought it to the door and planted it. Clint joined her. Marshall had disappeared.
“The years I have put up with that old sonofabitch. All the horrible things he’s done to me. I saved his life many a time. I spent years watching out for him. Saw to it that he had proper care when he’d go on a drunk. I kept him alive through it all. I’m so mad I could spit.” She sat in the wrought-iron chair.
Clint handed her a fresh drink. “Marge, this incident could work out for you”.
“What the hell does that mean?”
“You’ve never had Thorton in a more compromising position.”
“Yes,” she said interested.
“You can take that cruise to New Zealand. See your sea-captain friend. Who knows, you might just stay.”
“What would I do for money? Thorton had me sign a quitclaim
deed on all his property. I’m screwed.”
“Here’s your opportunity. Get a blank check. Write it for a hundred thousand dollars, paid to you. Push it under the door for his signature. If he signs, you’ll let him out.”
“Why didn’t I think of that?” She asked excitedly.
“You’re too upset.”
“Do you think he’ll do it?”
“Does he have a choice?” ... to be continued...
Wednesday, October 3, 2012
Confessions of a Hollywood Agent
Bald Eagle Publishing is proud to publish William Louis Gardner’s novel “Confessions of a Hollywood Agent”. This a fast, fun read. The tone has the casual air of a veteran Hollywood insider, neither awestruck nor jaded, just a friendly”here’s what my neighborhood is like” attitude. Brisk pacing and believable coincidence (such as the coming together of so many characters in Cuba) make this a page-turner.
Mr. Gardner has an additional published book: "The Games End" available for sale at www.thegamesend.com -The Games End is a story of Hollywood and Africa.
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