Monday, September 2, 2013
Thursday, July 25, 2013
"Confessions of a Hollywood Agent" Kindle price reduced to $3.99
Get your copy now, take advantage of this price reduction! Get it by clicking the Amazon logo here:
"Confessions of a Hollywood Agent" An explosive Hollywood novel of sex, power, intrigue… and murder… in the 50′s & 60's
Well I sure hope that most of Mr. Gardner's clients are dead or else he would be in real trouble. The seances and conversations in this fast paced book are so real and candid that one would think he was in the room! But WAIT he was in the room. ! This is the real McCoy, you don't need to read any other Hollywood tell all book. This one tells it ALL ! It is fun and stunning about all your favorite stars. I couldn't put it down, Don't miss this one, you will astound your friends with hard and funny truths here,
-Sam Carson F A I A
Jonathan Winters in the Muppet Show
He's back again, funnier than he was last time. Sit down, relax, and get ready for some laughs. Your buddy, Bill Gardner.
At work with the the two great comedians Jonathan Winters an Mickey Rooney
In the 60′s with the two great comedians Jonathan Winters an Mickey Rooney on a set in Hollywood. Check out my Novels, The Games End about elephants and the people in Africa, the Confessions of a Hollywood Agent about Hollywood in the 50′s and 60′s.
Tuesday, July 9, 2013
John F Kennedy Outdoor Speech in 1960, for President
Wednesday, June 19, 2013
Jonathan Winters on Dean Martin Roasts Frank Sinatra
We're bringing you in to our blog, this entertaining blog about Jonathan coming on to Frank Sinatra. As you might not know, Jonathan Winters doesn't have a script, in fact he never did he didn't like the writers they were never funny enough for him so he always went up there and winged it. This is an example of that, he went up there and had them in hysterics and you will too. Enjoy the video and have a good week.
-From Bill Gardner's Assistant
Make sure to check out Confessions of a Hollywood agent, a book about Hollywood during the 50s and 60s. Look into it especially if you're into old Hollywood.
Tuesday, May 28, 2013
A Hollywood marriage-to-be
Most people have always loved to read about Hollywood and they all seem to be quite satisfied with what they hear and read. That makes them want to read stories that can apply to what different kind of action we might enjoy, and a new one has come into our life: Gay Marriage. Lets have a peak at it just to see how funny it can be.
The book is available on Amazon.
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Well I sure hope that most of Mr. Gardner's clients are dead or else he would be in real trouble. The seances and conversations in this fast paced book are so real and candid that one would think he was in the room! But WAIT he was in the room. ! This is the real McCoy, you don’t need to read any other Hollywood tell all book. This one tells it ALL ! It is fun and stunning about all your favorite stars. I couldn’t put it down, Don’t miss this one, you will astound your friends with hard and funny truths here -Sam Carson
“Just finished reading the book… it was as good a read as any of the best-sellers!”
-Actress Stefanie Powers
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Tuesday, May 21, 2013
Jonathan Winters "The Stick"
Here we have your monthly dose of Jonathan Winters. In today's post, Jonathan Winters improvises using nothing more than a "stick."
Join us next month for yet another episode of Jonathan Winters' performance.
In the 50′s and 60′s I worked for Jonathan Winters as his assistant, and I want to present to all of you wonderful people to Jonathan Winters, so you can know how funny he was. He was considered one of the best comedians, had his own style and had his know how on how to bring the funniest parts of life. I am sure none of you will be disappointed so lets sit back and have a great laugh. Jonathan thanks for all the laugh you brought to us.
-William Gardner
Wednesday, April 10, 2013
What is a good old Hollywood novel during the 50's & 60's?
“Find out, or guess, who the characters are. You’ll be surprised!”
With characters such as Elvis Presley, jfk, Mafia’s Meyer Lansky gangster, Fidel Castro, Porfirio Rubirosa, Nathan the Hollywood God-father, Godchild of Hitler and so many more!
A Hollywood Novel you won’t wan’t to miss.
"Only an industry insider could write a story filled with such nuance about the glam and grim of Hollywood in the 1950’s and 60’s. William Gardner takes you on a (manicured and bejeweled) hand-held tour of Beverly Hills and its crusty and upper-crust inhabitants."
- Ellen Singer
"Well I sure hope that most of Mr. Gardners clients are dead or else he would be in real trouble. The seances and conversations in this fast paced book are so real and candid that one would think he was in the room! But WAIT he was in the room. ! This is the real McCoy, you don’t need to read any other Hollywood tell all book. This one tells it ALL ! It is fun and stunning about all your favorite stars. I couldn’t put it down, Don’t miss this one, you will astound your friends with hard and funny truths here"
-Sam Carson
Confessions of a Hollywood Agent is a novel of a Hollywood courtesan and her procurer, who rise in the film world of the 50′s and early 60′s. Clint the agent and Dorothy the Star manipulate the Hollywood Godfather, Fidel Castro, JFK, an international playboy who was the godchild of Hitler… and one another. But the plot and intrigues they devise to further their careers don’t always turn out as planned. Only an industry insider could write a story filled with such nuance about the glam and grim of Hollywood in the 50s and 60s. There is plenty of sinning in Confessions, but is there redemption? You’ll stay awake to find out. Don’t rush forward to the closing credits. They come much too soon.
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Tuesday, April 2, 2013
Review for Confessions of a Hollywood Agent; A Hollywood novel
Only an industry insider could write a story filled with such nuance about the glam and grim of Hollywood in the 1950’s and 60’s. William Gardner takes you on a (manicured and bejeweled) hand-held tour of Beverly Hills and its crusty and upper-crust inhabitants.
You’ll be privy to the name-dropping and bed-hopping among a large cast of loveable and loathsome characters, including a minister’s daughter who poses for Playboy but tithes ten percent of her earnings to the church and an internationally famous comedian who wastes his money on gambling and drugs.
And enjoy the odd, but enduring alliance between the story’s leading man and lady: Clint Nation, a Montana cowboy, and Dorothy Winters, a small-time thief, who will re-invent themselves and traverse the Hollywood Hills together as agent and movie star, occasional lovers and loyal friends.
There’s plenty of sinning in “Confessions”, but is there redemption? You’ll stay awake trying to find out. But don’t rush – or fast forward – to the closing credits. They come much too soon.
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Tuesday, March 5, 2013
Rita Hayworth Is Stayin' Alive
Rita Hayworth Is Stayin' Alive
One of Hollywood's greatest red-headed dancers with Fred Astaire and Gene Kelly dancing to the Bee Gees, which brings nostalgia
Sunday, March 3, 2013
Rod McCarey Behind the Scenes
My brother Rod McCarey
The Distinguished Gentleman waxes nostalgia about the fate and preservation of two ramshackled luxury vehicles. An outtake from the GREY COUPON advert, "The Lost Footage."
Wednesday, February 20, 2013
Jane Russell & Marilyn Monroe at Grauman's Chinese Theatre
Friday, February 15, 2013
Public outcry over Hughes’ bra
In 1941, Director Howard Hughes, while filming the movie The Outlaw, felt that the camera did not do justice to Jane Russell's large bust. He employed his engineering skills to design an underwired, cantilevered bra to emphasise her assets. Hughes added rods of curved structural steel that were sewn into the brassiere below each breast. The rods were connected to the bra's shoulder straps. The arrangement allowed the breasts to be pulled upward and made it possible to move the shoulder straps away from the neck. The design allowed for any amount of bosom to be freely exposed.
Regardless, the emphasis on her breasts proved too much for the Hollywood Production Code Administration, which ordered cuts to the film. To obtain the Boards' required Seal of Approval, Hughes reluctantly removed about 40 feet, or a half-minute, of footage that featured Jane Russell's bosom. He still had problems getting the film distributed, so Hughes schemed to create a public outcry for his film to be banned. The resulting controversy generated enough interest to get The Outlaw into the theatres for one week in 1943, before being withdrawn due to objections by the Code censors. When the film was finally released in 1950, it was a box office hit.
Russell later asserted that she never wore Hughes' bra, and that Hughes never knew. This story is now considered to be an urban myth. -Xtimeline
The bra that Howard Hughes supposedly created for Jane was fake, in reality she would place Kleenex's over her boobs and everybody thought it was a classic. -From Insider William Louis Gardner, author of "Confessions of a Hollywood Agent"
Jane Russell calls Putin a Jerk
Jane Russell was responsible for bringing 51,000 orphans to live in the USA during 50's. Jane had the class Putin is a jerk and classless, agree? Jane also put together in Hollywood a huge Charity called WAIF [World Adoption International Fund]. It had great success, all the stars at that time became members. Jane also had a lot of influence over the Generals in Washington, that's how she was able to get those children here into the U.S.
-From Insider William Louis Gardner, author of “Confessions of a Hollywood Agent“
Thursday, February 14, 2013
Review for Confessions of a Hollywood Agent
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-Sam Carson F A I A
Sunday, February 10, 2013
A Day With Mickey and Judy
Judy called Mickey and asked him if he would help her. She has a TV show at CBS and the bosses wanted to see her. Her ratings where slipping and they wanted to meet at her home later in the day. She knew Mickey would help with some ideas. He was filming at MGM that day but she knew going to the studio would be a big problem. She hadn’t been there in eighteen years since they fired her. She blamed MGM for all her problems.
Mickey told me to pick her up at her home inBrentwood. Judy was panicking when I got there. She had five cars and told me to put a case of Blue Nun wine in the back seat. It turned out I never got any of her cars to start. We left in my car with the Blue Nun in my back seat. As we drove out of the driveway, she popped a pill. When we got to MGM I drove through the studio gates, she popped another pill. I felt like it was Gloria Swanson arriving at the gates ofParamountin “Sunset Boulevard”.
She said, ”Mickey and I worked every day on three musicals at the same time for the “Andy Hardy Films” it was making MGM a fortune and exhausting us. They gave us uppers and downers to keep up our energy for the dance numbers and long hours. We didn’t know we were being hooked”. Later in life, they both were under the influence. Mickey found Jesus and got the cure but Judy never got over the drugs or booze.
Mickey told me he was working at hotel in Reno, Nevada, sitting in a coffee shop when a blonde bus boy came up to his table and said; “Jesus loves you Mickey Rooney”. He was shocked and felt he had been saved. He jumped up from the table, rushed to the cashier, and said; “Where’s that blonde bus boy that was at my table?” “We don’t have a blonde bus boy, Mr. Rooney”.
Judy adored Mickey and he her, but there was no romance. Mickey had many girls he dated but he felt Judy was like a sister. We stopped at stage 15 where Mickey was filming. I took the case of Blue Nun from the back of my car and we went to his dressing room. Judy opened a bottle of wine and settled down and said; “Find Mickey”. I went on to the stage; Mickey was working on a RodSterling, “ Twilight Zone” show playing a gambler who owned money to a bookie who threatens him. Mickey was acting into the telephone the whole time, no other performer was in the show. He finishes the scene, and the crew applauds him. “Judy is here, we’ll meet you in the commissary for lunch”. I said.
I went back to the dressing room. Judy had found a French actor, with a French Poodle and was kissing and hugging the dog and drinking the wine. She was already high. I told the actor we had to leave for an appointment; to get rid him.
When we got to the commissary, it was packed with people, Judy was shaking. I opened the door and we walked in. The room went silent and then, whispers. We see Arthur Freed, the producer of “Meet me InSaint Louis,” of her best movies. “Look, its Arthur Freed, he’s not coming over here? Ah, he is. I, I, can’t stand him. What will I do?” she asked. “Relax. He’s smiling. Smile back. He just wants to say hello.” I said. Arthur says; “Judy, so good to see you, working on something again?” “Good to see you Arthur. No I’m seeing Mickey for lunch.” Judy looks and sees Mickey at table waving at us. We go to his table. Judy began to relax and looked like she was having a good time. I brought up to Mickey. “Do you have some ideas for her show? Judy looked like she wasn’t interested so I gave up. We went back to the dressing room and Mickey had to go back to the stage to finish the TV film. I loaded Judy into my car, she was drunk. As we left the Studio she pooped another pill. She said; “I hated every moment. You cannot imagine how terrible I feel. It brought back all those bad memories. I should have never come back.”
When I got on the freeway going back to her house, she was silent and looked over at the car next to us where a cat was sitting on a man’s shoulder. She let out a scream and said, “That cat is driving that car”. She dived to the floorboard of the car and stayed there until I got her home. The cars of the CBS Bosses were there in her driveway waiting. I thought, are they in for it. I thought, I said, “Good bye and good luck, Sweetheart”. I was glad she didn’t ask me to be in her meeting and drove off.
Thursday, January 24, 2013
Gloria Pall deemed too sexy for TV
Source: The LA Times[/caption]
On a December night in 1954, Los Angeles met the woman it would soon deem too hot for television.
After the success of Vampira, the glamorous ghoul of 1950s late-night TV, executives at KABC-TV (Channel 7) cast Gloria Pall, a showgirl and model, as Voluptua, the sultry hostess of a new, love-themed movie program.
Fans dubbed the statuesque Pall "Eyeful Tower" and "Miss Cleavage" for her shapely figure and plunging necklines. Her steamy on-camera poses and flirtatious comments soon earned her another moniker: "Corruptua."
Just seven weeks after it first aired, amid mounting pressure from religious and PTA groups and lackluster commercial sponsorship, the station abruptly canceled the show.
Pall, who went on to become a Los Angeles real estate agent, died Dec. 30 of heart failure at a Burbank hospital, her son, Jefferson Kane, said. She was 85.
R.H. Greene, a Los Angeles author and documentary filmmaker who put together a 2011 radio feature on Voluptua for KPCC-FM (89.3), called Pall a television pioneer.
"She was quite openly in touch with her sexuality, and that was an incredibly dangerous thing to do," Greene said in an interview Friday. "We don't have too many stories for that time that illustrate that, and Gloria's does."
Each Wednesday night, as the show's romantic theme song played, Pall slinked across Southland TV screens wearing an evening gown and dragging a fur coat.
Before she introduced the week's romantic flick, she greeted viewers with a breathy coo: "Welcome to my boudoir, I want you to feel that it's your special hideaway. Relax, take off your shoes, loosen your tie."
She caressed a bearskin rug, made silhouetted on-camera costume changes behind a translucent screen and answered a phone that didn't ring. Instead, it sighed her name: "Voluptua…Voluptua."
"You put that on television and people went crazy," Greene said. "They were simultaneously titillated and appalled. Gloria was way too hot to handle."
In a posting on her website, Pall described the over-the-top character she created as "just suggestive — corny not porny."
The show's risque theme and the protests it drew attracted national media attention. In 1955, Pall was featured in photo spreads in Playboy and Life.
Born Gloria Pallatz on July 15, 1927, in Brooklyn, New York, Pall grew up in poverty, her son said. As a teenager, she worked as an aircraft mechanic and as a filing clerk for the United Service Organization. She said later that she was working at the organization's office on the 56th floor of the Empire State Building on July 28, 1945, when an Army B-25 bomber crashed into the building.
"It threw me across the room, and I landed against the wall," Pall told National Public Radio in 2008. "We didn't know if it was a bomb or what happened. It was terrifying."
In 1947, she won the Miss Flatbush beauty contest in her hometown and then worked as a model.
After stints as a showgirl in Reno and Las Vegas, she moved to Hollywood, where she landed small but memorable roles.
In an iconic image from the 1957 film "Jailhouse Rock," Pall's legs frame Elvis Presley's face at a burlesque show; she clutches Kirk Douglas' arm in a scene from 1954's "20,000 Leagues Under the Sea"; and in "Crimson Kimono," a classic 1959 film noir, Pall played a stripper named Sugar Torch, who gets shot in the opening scene.
In her 30s, her film roles growing scarce, Pall started studying for a real estate license.
"I decided that I ought to do something with my life besides going to parties and doing occasional modeling work," she told The Times in 1962, adding, "I've finally got my name in lights on the Strip."
Indeed, the sign outside her lavender-hued real estate office on Sunset read simply: "Call Pall."
In 1965, Pall married Allen Kane, who owned a Ford dealership in North Hollywood. The couple, who later divorced, moved with their young son to Florida and Atlanta before returning to California in the late 1970s.
Pall, who drove a lavender 1957 Ford Thunderbird and dressed mainly in shades of purple, later wrote and self-published several books about her life.
"She just knew so much about the '50s," her son said. "Those were her glory days."
A memorial is planned for 3 p.m. Jan. 20 at Calvary Baptist Church in Burbank, 724 S. Glenoaks Blvd.
Asked toward the end of her life what she would say to those who campaigned to get Voluptua off the air, Pall laughed and offered three words: "Get a life."
Thursday, January 10, 2013
Hollywood Novel
"Find out, or guess, who the characters are. You'll be surprised!"
With characters such as Elvis Presley, jfk, Mafia's Meyer Lansky gangster, Fidel Castro, Porfirio Rubirosa, Nathan the Hollywood God-father, Godchild of Hitler and so many more!
A Hollywood Novel you won't wan't to miss
Monday, December 17, 2012
Elvis Presley gets turned down; From my novel Confessions of a Hollywood Agent
Georgia arrived at MGM in Culver City. She drove to the main gate in her MG with the top down.
The guard had her name and directed her to Stage Fifteen where Elvis was shooting his new musical.
Georgia had changed her clothes. She wore a bright blue tight sheath dress, cut low in the front. The color matched her blue eyes. Her hair fell around her shoulders. Clint stood waiting outside the stage door when she arrived. Georgia parked her car, and joined him.
“You’re absolutely gorgeous, baby. Elvis is going to flip when he sees you.”
“Thanks, she said, as Clint opened the stage door for her. They walked into the brightly lit stage. Elvis stood in the center rehearsing a dance number with a big group of dancers and singers in the background. His costume was powder-blue western in style, with white fringes hanging down from the sleeves. The other dancers and singers dressed the same, but Elvis’s costume had more glitz.
The part Georgia came to read for was small, but the chance to be in an Elvis Presley picture mattered more than the part. Elvis had to be the biggest star in Hollywood. His pictures made big money. Elvis’s entourage of guys made all the work seem like a party.
Georgia and Clint watched the rehearsal from behind the large camera boom, as it moved in on Elvis for the final close up.
A couple of Elvis’s boys spotted Georgia and approached her.
“Hi, there pretty girl. You in the picture?” One of them asked.
“Oh, hi, I’m Georgia Evans. I don’t know yet. I’m here for an interview,” she said.
“You got the part, honey. I’ll take a bet on it.”
“Oh, are you the producer?”
“Naw, I work for Elvis, and if I know Elvis and I do, he’s my country cousin, you got the part.”
Elvis had finished the production number. His attention had taken him where Georgia stood on the set talking to one of his guys and walked over to them.
“Elvis, this pretty little girl is Georgia Evans,” said the cousin.
“Pleased to meetya.” Elvis took Georgia’s hand up to his mouth and flicked the tip of his tongue between Georgia’s fingers, which raised goose bumps all over her body.
Georgia was taken back by him; she could hardly get words out of her mouth. “It’s a … pleasure to meet you, Mr. Presley.”
The assistant director came up to Elvis. “Mr. Presley, they’re ready to shoot the dance number.”
“Thanks, Charlie. Well, pretty girl, don’t you go away,” he said as he left for the set. He stopped by a man wearing a fedora hat and smoking a cigar and spoke to him as they looked toward Georgia.
Clint recognized the man as the producer, Sam Katzman. Clint said.
“You got the part.”
“How do you know?” she asked.
“Let’s say I’m chalking it up to experience,” he said with confidence.
Sam Katzman came over and shook Clint’s hand. Clint introduced him to Georgia.
“Elvis told me he wants your little girl here for the part of “Traci, says he knows her work. I’ll get back to you tomorrow about the money and billing. It’s a nice part for her. Should get her some recognition.” He tipped his hat to Georgia and went back to his position on the stage.
“Quiet on the set. Ready to roll.” yelled the assistant director. The bright klieg lights switch on. Everyone quieted down. Elvis and the dancers stood in their places. Someone yelled “speed”. The director yelled “action” from up on the camera boom. The music started; the dancers went into their routine. It was to be the usual Elvis number with lots of pretty girls dancing around him. Elvis, playing his guitar, sang a country western song in a barnyard set.
“That’s a take.” said the director.
The crew set up for the next shoot.
Elvis’s cousin came over to Georgia after the shot. “Isn’t Elvis great? I love my old cousin. He told me to tell you that he’s havin’ a party tonight at his house. Wants you to all come. Here’s his address.
He says about nine o’ clock,” said the cousin as he handed Georgia a small piece of paper.
Georgia stiffened.
“What’s the matter? You act like someone said a dirty word. Don’t tell me you didn’t like what happened here?”
“Of course I did, but I can’t go to his party.”
“The hell you can’t, girl. His party is the most important engagement you have ever had to attend. Do you realize how many girls in this town would trade places with you? What ever you have planned, you’re going to cancel. I insist on it.”
Georgia was near tears. They left the stage to return to their cars.
When they got outside Clint could see that Georgia had been crying.
“You should be the happiest actress in town, you just got a good part in an Elvis Presley picture, for God’s sake. You should be kissing my ass. Shame on you … You’re crying. Where have I gone wrong?”
Clint threw his hands into the air.
“Clint, I can’t tell you now. I’m sorry.”
“Georgia, it’s one of those situations. “No ticky, no washy.” Georgia nodded her head as she got in her car. She looked up at Clint with tearrimmed eyes.
“I’m sorry, Clint. I can’t do it.” She started her car and drove toward the gate.
Clint stood in disbelief as she drove away.
Find out the rest in the thrilling hollywood novel Confessions of a Hollywood Agent